Big Thief

Two Hands

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      黎舟見他答應,最後一絲顧慮也放下了。之前黎江坐在輪椅上都能被刁明山護住,這次改變了很多,刁明山也提前來到黎江身邊,他肩上的擔子可以徹底放下來了。   陸老大听見轉過頭去,唬著臉道︰“什麼老頭不老頭的,文明一點!”gaovideo超碰在线   他想了一下,又輕聲補充道︰“這次要留下來,找到以後再走。”gaovideo超碰公开   江心遠道︰“刁先生等一下,我還有些事想跟你商量,關于秦嶺的那塊地我想咨詢一下先生的意見。”   他們這邊吃著飯,就听見對面小賣店的老板站在路邊喊道︰“哎,付婆婆,喊你家房客來接電話啦!外邊打來的——!”超碰人妻中文在线观看   “不過我哥不笑也很帥啊,對我也最好了,要不是為了我,他這次‘打球’都不會受傷。” Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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