Big Thief

Two Hands

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  • 公开超碰在线视频久久caoppor超碰在线视频8caoppor超碰在线视频7互联网原生品牌:上天猫后 54家品牌集体上市

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      十八個褶!   有一點,劉徹非常的有把握,那就是,不論他想干什麼,第一個站出來支持他的人就是阿嬌。公开超碰在线视频久久   “說點私房話!”caoppor超碰在线视频8   劉邦再一次艱難的將這片國土捏合成一個新的整體,並且在艱難中摸索前行,而後,因為沒有一個現成的前例來參照,他又不願意以前秦暴政為楷模,自己又缺乏真正的前瞻性目光,只好依照全體百姓的要求,選擇了道家的無為而治。   “皇命!”公孫弘斬釘截鐵的道。caoppor超碰在线视频7   馭者大笑著回答了公孫弘的話,就駕車越過主父偃的馬車繼續向雲氏大門走去。 Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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