Big Thief

Two Hands

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    的兩層樓房,佔面積很大。樓房是以古老的奧地利的方式,涂上所謂的肖恩 布魯恩?,配上綠色的百葉窗。隔著一個內院是幾座比較低矮,顯然用作僕役 住房、管理處和馬廄的樓房,一直向一座宏大的花園伸展過去,我第一次夜 訪絲毫沒有看到這座花園。現在透過那些所謂的牛眼窗,也就是砌在高大石 牆里的那些橢圓形空洞,我才發現,這座開克斯法爾伐府邸,根本不像我看 到室內的裝潢陳設之後所設想的那樣,是一座摩登的別墅,而是一座地地道 道的鄉間地主的宅第,一幢舊式的貴族府邸,我在波希米亞參加軍事演習時 騎馬走過,有時看見過這類府邸。只有那座古里古怪的四方形塔樓顯得有些 刺眼,那形狀使人有點想起意大利的鐘樓,很不協調地矗立在那里,也許是 多年前曾經坐落在這里的一座宮殿的殘余部分。我事後想起,從練兵場上曾 多次看見過這座奇怪的塔樓,當然我一直以為,這不知是哪個村的教堂鐘樓。 現在我才注意到,塔樓上通常都有的那個球形塔頂不見了,古怪的六面形塔 我感到意外,側耳傾听,尤其是他在下說時的激烈神情引起了我的興趣。“我們不要自我欺騙。 如果我們今天在某個國家為異國他鄉進行一場戰爭——譬如說為一場在波利尼西亞進行的戰爭或者在 非洲哪個角落進行的戰爭——擂鼓招兵,定會有成千上萬的人間聲跑來,也不清楚跑來干啥,說不定 只是因為樂于逃避自己或者逃脫不愉快的環境。然而真正為反對一場戰爭而進行的抵抗,我只能說相 當于零。個人反抗一個組織總比隨波逐流要求更多的勇氣,也就是個人的勇氣,在我們這個組織日益 完善、機械化程度日益提高的時代,這類勇氣已經絕跡。超碰免费免费公开在线 超碰在线图片 “是的,他對我的勛章感到無比驕傲,就像對您寫的書那樣驕傲。” “可笑的怪人!不過比他惡劣的大有人在。話說回來——如果您方便的話,我們還可以一起走 97超碰人人碰91观看 車上放著豐盛精美的茶點。她斟完咖啡,就在我們身邊坐下,我馬上又覺得 踏實多了。一頭肥碩的安哥拉母貓悄無聲息地跟著茶車溜進屋來,這會兒大 模大樣親親熱熱地在我腿上蹭來蹭去,這貓可給我提供了很好的話題。我連 連贊賞這只大貓,接著她們便開始東問西問,問我在這兒多久了,在這個駐 地覺得怎麼樣,我是否認得某某少尉,是否經常上維也納去。無意之中我們 就輕松隨便地聊起家常來了,原來那陣討厭的緊張空氣不知不覺地隨之消 散。我漸漸地甚至敢于稍稍從側面端詳一下這兩個姑娘。她們兩個長得完全 下一樣,伊羅娜已經完全是個成熟的女性,肉感柔媚,豐腴健美;和她相比 艾迪特半似孩子,半似少女,大約十七歲光景,也許已經十八歲,反正還沒 有怎麼長足。兩人形成奇怪的對比︰你跟這個姑娘在一起,只想跟她跳舞, 親吻;而另一個姑娘呢,你只想把她當作病人一樣地疼她,只想輕輕地撫摸 她,保護她,尤其想安慰安慰她。因為從她身上散發出一種奇怪的焦灼不安 的情緒。她的神色幾乎一刻也不平靜;她不時地左顧右盼,一會兒直坐起來, 一會兒又頹然向後靠去;她說話也和她的動作一樣神經質,總是突然迸發, 總是 staccato?,永遠沒有間歇。我心想,她這樣控制不住自己,這樣煩躁 不安,說不定是對她的雙腿被迫不能活動的一種補償,也說不定是一種經常 不退的輕微的寒熱,使她的手勢和說話的語流節奏都更加急促。可是我沒有 多少時間來仔細觀察。因為她善于用她連珠炮似的提問和她輕快飄逸的敘述 方式把人們的注意力完全吸引到她身上。我完全出乎意料地卷進了一場使人 Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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