Big Thief

Two Hands

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      即便是雲瑯跟霍去病都不知道他什麼時候成的親……   阿嬌瞟了雲瑯一眼道︰“狼窩里出了一只小羊羔啊!好啊,大長秋。你把這些彈章全部都留著,他雲家大壞事沒干一件,小壞事卻多如牛毛,人家主父偃在很多事情上還真的沒有冤枉他,請陛下再三思一下!”超碰免费视频超清视频   北面的高坡上肅立著一隊甲士,這是北大營的督令官,同樣是軍司馬的職位,卻比雲瑯這個軍司馬高貴了十倍不止。国产超碰公开在钱视频 第三卷 血滿長城   這個皓首老者,整日里不辭辛勞的從富貴鎮來到雲氏,不喝雲氏的香茶,也不吃雲氏精美的飯食。超碰学生视频在线看   司馬遷隨便擺擺手道︰“給我再弄一些雲氏糕餅過來。” Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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