Big Thief

Two Hands

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  • 超碰在线视频ca在线看片免费视频超碰超碰线观视频免费观看5张图透视创业板中报:哪些行业先回暖 哪家最赚钱?


      走在最前面的就是一排排的羌人,他們手里握著各種各樣的武器堅定的走在最前面,像一個個慷慨赴死的戰士多過像一群被人逼迫的牛羊。   青樓的鼻祖就是管仲!超碰在线视频ca   雲瑯點點頭道︰“你也給長安去軍報,要求援兵吧!”在线看片免费视频超碰   來到大漢之後,因為太宰的關系,他的雙腳又堅定的站在太宰的立場上,任何對太宰不利的人與事,同樣對他也是不利的。   “大漢對有功之臣施行的是重賞……所以,錢財就那麼多,兼顧不了……”超碰线观视频免费观看   “全軍似乎只有我一個人騎馬騎的如此狼狽。”雲瑯為了緩解自己的尷尬,沒話找話。 Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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