Big Thief

Two Hands

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      “可是,父皇發怒了。”   而大匈奴武士,艱難跋涉了上萬里路,吃了無數的苦楚,現在,也該是享受一下的時候了。还高超碰   雲瑯點點頭,用刀子把那一塊牛皮切割下來,收在袖子里道︰“追不上的就不應該追,背不動的就不應該繼續背,看不慣的,丟掉就是。劉陵的人走了,卻想讓我懷念她,殊不知,她在我心中沒有留下任何影子。像她這種女人,只會讓人害怕,不會讓人喜愛。”open.com超碰.com   “論繁華,瑯琊不如長安!”   李廣利勇猛異常,緊追著匈奴人大隊不松口,不遠不近的綴在匈奴大隊後邊兩百里的地方,斬首無數!99久久免费热在线精品_思思热99re热在线视频_久久精品视频在线看99   “大宛在匈奴西南,在我朝正西面,離大漢關中大約一萬里。 Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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