Big Thief

Two Hands

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    “不過,巴林凱,正因為這個緣故我才要遠走高飛,不論到哪兒去,那 之中感到快樂。97超碰人妻中文字幕 “不行,這樣不行,”最後,他頭也不抬,憂郁他說道。“少尉先生,超碰免费全部公开视频 “走開??走開??走開,您這個卑鄙的、粗野的家伙??” —她突然揚聲大笑起來,那笑聲尖說刺耳,宛如鋸子在鋸——“您往這邊瞧, 我那體貼人微的父親大人在為我修建這座塔樓的時候,把這點忘了??他只 想到讓我遠眺風景方便??醫生只說過,這兒陽光多、空氣好。可是這座露 台到時候也能對我有大用處。這點他們大家都沒想到,無論是我父親,還是 醫生、建築師,誰都沒想到??您從那兒往下面瞧瞧??”——她驀地撐起 身子,猛地一下把她搖搖晃晃的身體甩到欄桿旁邊。現在她用雙手緊緊地抓 住欄桿——“從這兒掉下去有五六層樓那麼高,下面是硬石頭??這盡夠超碰免费公开视频动漫视频 ‘你這個笨蛋!’??你瞧,如果當過一次軍官,這種東西便深深潛伏在我 們這號人的肌肉之中,我還沒來得及深思熟慮,就像匹被韁繩勒了一下的馬 兒一樣,渾身一顫,直跳了起來。的確只差一了點,我就一拳打到他的臉上 去了。然而,在最後關頭,我終于把自己控制住了,因為,你知道嗎,本來 當侍者這件事我始終覺得就像是一場假面舞會似的,我甚至——我不知道, 你是否明白這點——隔了一會兒就覺得,我巴林凱現在不得不容忍一個骯髒 不堪的干酪商人這樣侮辱我,這實在是一種殘忍的樂趣。所以我只是靜靜地 站在那里,看著他,臉上帶著微笑——可是你要知道,那樣居高臨下地浮現 在鼻翼邊的微笑,使這家伙氣得臉色白里泛青,因為他也感覺到,我不知怎 麼槁的總高他一頭。然後我非常冷淡地走出房間,走出房間之前還特別含有 諷刺意味地彬彬有禮地鞠了一躬——那家伙幾乎把肺都氣炸了。可是我的妻 子,這就是說,我現在的妻子,當時也在座,我和那家伙之間發生的一幕, 想必也深深地打動了她。她不知怎地感覺到——這是她後來向我承認的—— 大概是從我跳起來的樣子感覺到,我這一輩子大概還沒有一個人敢這樣對待 我。所以她跟著我走到過道里,對我說,她姐夫實在火氣太大,請我不要見 怪,——好,讓你知道一下全部真相吧,我親愛的——她甚至試圖塞張鈔票 到我手里來平息全部糾紛。 Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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