Big Thief

Two Hands

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  • caoppor超碰在线视频7超碰在线视频ca在线看片免费视频超碰盛付通5年内收11张罚单 大股东与盛大网络关系剪不断

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      很多時候,他這個長史似乎都是擺設。   帶領八百人的隊伍跟統領兩萬六千人的隊伍的差別實在是太大了,兩者根本就沒有任何可比性。caoppor超碰在线视频7 第一三八章 大時代的開端超碰在线视频ca   眼看著漢人粗陋的牛皮圍牆就在眼前,梟盡終于不再隱忍,大吼著率先殺入了漢軍盤踞的羊盤地。   夏侯靜放下茶水,盯著司馬相如的眼楮道。在线看片免费视频超碰   霍光悶哼一聲,第一次發現師傅把西北理工完全徹底地交給自己,並不是因為他最受寵愛,而是因為他最能折騰,最有可能把西北理工的學問發揚光大。 Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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